Sony Catalyst Production Suite v2016.1.1 win/MacOSX

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Sony Catalyst Production Suite 2016.x | win/MacOSX | 340/312 MB

The Catalyst Production Suite fuses powerful media preparation and fast, focused video editing to provide the backbone for your video productions. Catalyst Prepare paves your path from camera to post with robust organizational tools, precise first-pass color correction and monitoring, extensive metadata support, and more. Catalyst Edit provides a lean, focused video editing environment that makes your cutting process fast and fluent.

With support for 4K, Sony RAW, and HD media, the Catalyst Production Suite gives you the power to make the most of your camera's high dynamic range and wide color gamut as well as the stunning resolution of 4K from beginning to end.

Sony Catalyst Production Suite 2015.1:
Catalyst Edit 2015.1.0.104
Catalyst Prepare 2015.1.0.116

The Catalyst Production Suite workflow
With strong family support, you can accomplish amazing things. The Catalyst family provides powerful media prep and focused, fast editing that you can rely on to translate the vision in your head to an experience that moves your viewers.

The ultimate preproduction assistant that allows you to easily and intuitively browse your camera, deck, or card reader, view clips, off-load the media for safe backup, view and edit metadata, batch copy, batch transcode to a wide variety of pro formats, precisely perform first-pass color correction, and more.

Catalyst Prepare takes care of all of your media prep needs:
- View your media directly from a camera, deck, or card reader
- Make a full-volume backup
- Organize clips into bins
- Batch copy clips
- Batch transcode clips
- Make color adjustments and apply looks
- Set in/out points
- Establish multichannel audio assignments
- Batch upload clips to the cloud via Sony Media Cloud Services Ci
- Cut together a rough edit with the storyboard feature

The fast, simple, reliable path from camera to post
As media production becomes more complicated and turnaround times grow tighter, you need a tool that eases the workload on your editor and helps you meet project deadlines. With Catalyst Prepare, you can quickly access, organize, and prepare all of your project footage — even when you use a variety of popular cameras. Create a rough-cut storyboard along with quick initial color grade to jumpstart the editing and review process. Then render it out directly or export an EDL to other popular tools you use in your workflow.

- Verify shots immediately on set, including Sony RAW and S-Log clips
- Solve your camera media wrangling issues with a single application
- Deadline pressure? Quickly review and identify subclips for copying, eliminating the long transfer times needed for entire clips
- Work in the same simple, consistent, fresh user interface on both Mac OS X and Windows platforms
- Simple, powerful interface with a quick and easy learning curve
- Secure, integrated clip upload to Sony Media Cloud Services Ci enables cloud-based, collaborative review of work with your extended team
- Intuitive design provides the tools you need for each step, ending cognitive overload, clutter, and confusion
- Back up your camera media with confidence from integrated checksum verification
- Media libraries are saved automatically and continuously, preserving critical edits
- Precise managed color workflow ensures accuracy and consistency for Sony RAW and S-Log sources

Organize into libraries and bins
Catalyst Prepare is a key organizational and creative tool that allows you to arrange media into targeted, meaningful libraries and bins. Then launch the creative process with solid rough drafts. Locate the correct media, create subclips, and develop rough drafts on a storyboard in a dedicated tool designed specifically for these tasks.

Edit mode
View details, zoom to check focus, mark in/out points, adjust colors nondestructively, and create a storyboard to rough draft your vision. Edit mode enables you to zero in on the important parts of each clip. Create sub clips to easily access the best parts of each clip. Assemble, trim, and sequence a group of files into a Storyboard. Even apply color adjustments. Then render the Storyboard out in a variety of formats or export it as an EDL with media to send to Vegas Pro, Apple Final Cut Pro, AVID Media Composer, Adobe Premiere or Da Vinci Resolve. The edit mode also offers the ability to automatically detect and repair flash band problems created by flash photography.

Native format support
Catalyst Prepare natively supports Sony professional formats such as XDCAM SD and HD, XDCAM EX, XAVC-Intra, XAVC Long-GOP, XAVC S, NXCAM, Sony RAW, HDCAM SR (SStP), AVCHD, AVC H.264/MPEG-4. DNxHD, HDV and DV and ProRes are also supported. All formats can be mixed and matched when building a storyboard. Multichannel files? No problem: Catalyst Prepare supports files with up to 16 channels of audio.

Precise first-pass color correction
Work in the same high dynamic range and wide color gamut as professional cameras shooting in the S-Log or Sony RAW format. Set source, convert-to, and grade-in color spaces. Apply a look profile. Use the brightness, contrast, tone curves, color wheels, and color correction sliders to adjust color while viewing the waveform, vectorscope, and histogram displays. Transcode files that carry the new color adjustments or save the settings as standard ASC-CDL to apply later in the finishing session. The color grading tools also support the ACES color management system. Set your preview display to a before, after, split, or 2-up view to compare before-and-after adjustments.

In video, focus is critical. Catalyst Edit focuses on 4K, Sony RAW, and HD video editing so you can focus on your creativity. Deliver your most stunning video productions in all the glory you captured through your lens. You've dreamed it. You've shot it. Now cut it.

Your super-detailed 4K footage is amazing. Your wide color gamut, high-dynamic-range colors are stunning. Still, you won't get many people to watch until you cut it all together. The timeline cutting tools in Catalyst Edit concentrate on doing one thing really, really well: they help you make your video edit look as great as the content you shot.

You captured all the detail. Now you can craft it into your story.
4K acquisition captures the amazing detail of your scene like never before possible. Sony RAW and XAVC embrace the wide color gamut and high dynamic range your camera captures and lay it right there for you to use. Catalyst Edit lets you use it.

Split audio from video, create nested timelines, group select and edit.
Make edits to your project with full confidence that edits you've made later in the timeline ripple to preserve the work you've already done.
Use the Windows auto resize feature or the new split view in Mac OS X to take advantage of drag and drop from Catalyst Prepare to Catalyst Edit.
Add keyframeable video effects to clips, tracks, and any timeline in your project.
Fluid hover scrub makes seeking through clips in the Media Browser super-fast. Mark in and out points so you can quickly add just the material you need to get on with your edit.
Use Audio envelopes to automate your audio mix.

OpenFX plug-ins.What you shot is great. Now make it stunning with filters and effects.
Sometimes even the best footage needs a little something to make the impact you envision. Robust industry-standard OpenFX support gives you the power to enhance and adjust your video for the look you want. Use built-in filters, effects, generators, and transitions, or plug your third-party filters and effects into your project and use them with seamless integration. Whether it's subtle correction or drastic artistic flare that you're after, OpenFX support makes it all possible.

A multichannel audio workflow that finally makes sense.
As a video editing pro, you need to manage your project audio too, and multichannel audio presents an extra challenge. Catalyst Edit simplifies complex audio production from camera to delivery. It's one less headache for you to worry about.

Your future editing system grows with you.
The fast, focused approach to editing in Catalyst Edit reveals a hint of what your future production system will be. The integration with Catalyst Prepare as part of the Catalyst Production Suite unveils the secret destination: a media prep and editing system that grows with you and for you in exactly the direction you need it to grow. Catalyst Prepare and Catalyst Edit are just the beginning. Hang on; this could get wild.

File format support

Device support
Catalyst Production Suite supports a variety of cameras, Professional Disc players, and card readers, as well as BlackMagic Design professional video output devices including UltraStudio, DeckLink, and Intensity PRO.

System requirements: Mac OS X 10.10 (Yosemite) or 10.11 (El Capitan)
Home Page - http://www.sonycreativesoftware.com/catalyst

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网友最新评论 (3)

  1. MAC版破解后打不开,点击图标运行程序,只是图标在DOCK栏里一直跳。 可能需要重启? 我等下试试。
    stormer2年前 (2015-12-23)
  2. 【参考】 Sony Catalyst Production Suite套件融合了强大的媒体的准备,快速,专注视频编辑提供骨干网为您的视频作品。催化剂制备摊铺相机路径后具有强大的组织工具,精确的第一通色彩校正和监督,广泛的元数据支持,等等。催化剂编辑提供了一个精简,专注视频编辑环境,使您的切割过程快速,流畅。 随着4K的支持,索尼RAW和高清媒体,催化剂生产套件使您能够充分利用您的相机的高动态范围和宽色域的功率,以及4K的从开始的惊人分辨率结束。 索尼催化剂生产套件2015.1: 催化剂编辑2015.1.0.104 催化剂准备2015.1.0.116 该催化剂生产套件工作流程 凭借强大的家庭支持,可以完成令人惊奇的事情。催化剂系列产品提供强大的媒体准备和集中,快速的编辑,你可以依靠在你的脑袋愿景转化到移动你的观众的体验。 最终试生产的助手,让您轻松直观地浏览你的摄像机,录像机,或读卡器,查看剪辑,离装入介质进行安全备份,查看和编辑元数据,批量复制,批量转码到各种各样的亲格式,精确地进行第一通色彩校正,等等。 催化剂准备照顾你所有的媒体准备的需要: – 直接从摄像机,录像机,或读卡器查看你的媒体 – 做一个完整卷备份 – 管理剪辑成箱 – 批量复制剪辑 – 批量转码片段 – 使颜色调整和应用的外观 – 设置输入/输出点 – 建立多声道音频分配 – 通过索尼媒体云服务慈批量上传剪辑到云 – 一起切一个粗编的故事板功能 发布快速,简单,可靠的相机路径 随着媒体制作变得更加复杂和周转时间长更紧了,你需要,简化工作负载在你的编辑器,帮助您满足项目的最后期限的工具。随着催化剂的准备,您可以快速访问,组织和准备的所有项目镜头 – 即使您使用各种流行的相机。创建粗切带快速初始颜色等级为快速启动的编辑和审查过程中故事情节一起。然后呈现出来直接或EDL导出到您在工作中使用其它流行的工具。 – 在设置立即确认镜头,包括索尼RAW和S-LOG剪辑 – 解决您的相机的媒体扯皮问题,一个单一的应用程序 – 最后期限的压力?快速审查并确定子片段的复制,消除需要整个剪辑的长传输时间 – 在同一个简单的,一致的,新鲜的用户在Mac OS X和Windows平台上的工作界面 – 操作简单,功能强大的接口,具有快速,方便的学习曲线 – 安全,集成的片段上传至索尼媒体云服务慈使得基于云的协同工作的回顾与扩展团队 – 直观的设计,提供您所需要的每一步的工具,结束认知超载,混乱和困惑 – 从集成的校验和验证备份的信心相机的媒体 – 媒体库会不断自动地保存,保护关键的修改 – 精确管理色彩的工作流程,确保准确性和一致性索尼RAW和S-LOG源 整理成库和垃圾箱 催化剂的制备是一个关键的组织和创造性的工具,让你来安排媒体到有针对性的,有意义的图书馆和垃圾箱。然后启动创新过程中以固体的草稿。找到正确的媒体,创建子片段,并专门为这些任务而设计的专用工具开发草稿上的故事情节。 编辑模式 查看详情,放大检查重点,标记输入/输出点,实现无损调整颜色,并创建一个故事板到草稿您的视力。编辑模式使您能够在零上每个片段的重要组成部分。创建子剪辑可以轻松地访问每个剪辑的精华部分。组装,修剪和序列一组文件到故事板。即使应用颜色调整。然后渲染故事板在多种格式或将其导出为EDL与媒体发送到拉斯维加斯临,苹果的Final Cut Pro,AVID媒体作曲家时,Adobe Premiere或者达芬奇解决。编辑模式还提供了自动检测和修复闪光摄影产生闪光带问题的能力。 原生格式支持 催化剂制备原生支持索尼专业的格式,如XDCAM SD和HD,XDCAM EX,XAVC-内,XAVC长GOP,XAVC S,NXCAM,索尼RAW,HDCAM SR(SSTP),AVCHD,AVC H.264 / MPEG-4 。的DNxHD,HDV和DV和的ProRes也支持。所有格式都可以混合和构建故事板的时候匹配。多通道的文件?没问题:催化剂准备支持带有多达16个通道的音频。 精确的第一通色彩校正 在相同的高动态范围工作和宽色域的专业相机在S-LOG或Sony RAW格式拍摄。集源,转换到,并年级的色彩空间。套用一下配置文件。使用亮度,对比度,色调曲线,色轮,和色彩校正滑块在查看波形,矢量和直方图显示的调整色彩。转码携带新的颜色调整的文件或保存设置标准ASC-CDL后来在整理会议上提出申请。颜色分级工具还支持ACES色彩管理系统。您预览显示设置为前,后,分割或2向上视图之前和之后的调整比较。 在视频,焦点是至关重要的。催化剂编辑专注于4K,索尼RAW,高清视频编辑,所以你可以专注于你的创造力。提供您最震撼的视频作品中的所有,你通过你的镜头捕捉到的荣耀。你梦想的。你出手吧。现在削减它。 您的超详细的4K画面是惊人的。贵广色域,高动态范围的颜色是惊人的。不过,你不会得到很多人观看,直到你砍它一起。在催化剂编辑时间线切割工具专心做一件事真的,真的很好:他们帮助你让你的视频剪辑的外观一样大,你拍摄的内容。 你捕获的所有细节。现在你可以工艺到你的故事。 4K采集捕捉令人惊叹的细节场景的前所未有的可能。索尼RAW和XAVC拥抱广色域和高动态范围摄像机捕捉和悠悠地在那里供你使用。催化剂编辑,您可以使用它。 从视频中分割音频,创建嵌套时间轴,组选择和编辑。 请编辑以饱满的信心,编辑你的时间表纹波保存你已经完成的工作后来做项目。 使用Windows自动调整功能,或在Mac OS X的新拆分视图采取拖的优势,从催化剂降准备催化剂编辑。 添加关键帧视频效果,剪辑,曲目,并在项目中的任何时间表。 流体悬停磨砂使得通过媒体浏览器超快速的剪辑求。马克和退出点,因此您可以快速添加只是你需要得到你的编辑材料。 使用音频信封来自动混音。 OpenFX插件ins.What你出手是很大的。现在,使其具有惊人的滤镜和效果。 有时候,即使是最好的素材需要一些东西让你想象的影响。强大的行业标准OpenFX支持,使您能够增强和调整你的视频你想要的效果的能力。使用内置的滤镜,特效,发电机,和转换,或将您的第三方滤镜和特效到您的项目,并利用它们无缝集成。无论是细微的调整或剧烈艺术眩光你后,OpenFX支持,使这一切成为可能。 多声道音频的工作流程,最后是有道理的。 作为一个视频编辑亲,你需要过管理项目的音频,和多声道音频提供了一个额外的挑战。催化剂编辑简化了复杂的音频制作,从相机到交付。它少了一个头痛的事情,你不用担心。 你未来的编辑系统与您一起成长。 快速,集中的方法来编辑在催化剂编辑揭示了你未来的生产系统会是怎样一个提示。用催化剂集成准备作为催化剂生产套件的一部分推出的秘密目标:一个媒体准备和编辑系统,与您一起成长,并为你的正是你需要它成长的方向。催化剂制备和催化剂编辑仅仅是个开始。不挂断;这有可能会疯狂。 文件格式支持 索尼4K RAW,RAW索尼2K,XAVC龙,XAVC内,XAVC S,XDCAM 422,XDCAM SR(SSTP)的DNxHD,的ProRes(OS X),AVC H.264 / MPEG-4,AVC / AAC(MPEG-4 ),AVCHD,HDV,DV,XDCAM MPEG IMX,JPEG,PNG,WAV和MP3。 设备支持 催化剂生产套件支持各种相机,专业光盘播放器和读卡器,以及Blackmagic Design的专业视频输出设备,包括UltraStudio时,Decklink和强度PRO。 系统要求:Mac OS X的10.10(优胜美地)或10.11(埃尔卡皮坦)
    hkdgniao2年前 (2015-12-23)
  3. 期待已久。据说vegas已经停止开发了。
    kachxi2年前 (2015-12-23)