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D16 Group Sigmund v1.0 Win/MacOSX

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Sigmund 包含了四个延迟线路,每个都有其自己独立的参数集,提供了难以置信的声音塑形自由度。每个延迟线路都有内建的补充模块,具备独立的反馈循环、多模式滤波器、过载、放大器调制器。这些补充达到了无一个无限强大的结构,它的潜能几乎无穷无尽,并且提供了通常很难实现效果。

Sigmund 的四个延迟线路可以近乎每一种方式的彼此互连。该插件提供了经过挑选的九种不同的路由形态,给予了声音创作全新的尺度。

一个信号可以被路由循序通过每个处理块处理,从一个到另一个时不会损失质量,并且不会增加不良的人工痕迹。信号路径的设计过程从一开始到结束都没有半点妥协:事实上,其声音的质量是非常高的,处理也是如此之纯粹,即使在最低的延迟下,甚至低于十分之一毫秒也完全不会有人工痕迹。

每个类型都有超大的原厂预设库,直观设计的预设浏览器可以让所有一切都有条例并且能轻松定位。


 D16 Group Sigmund v1.0 (Win / Mac OS X) | 131 MB

Sigmund is far from just another delay: it consists of four discrete delay units, each with its own, independent set of parameters offering an incredible degree of sound-shaping freedom. There's an ancient saying, often attributed to Aristotle: The whole is greater than the sum of its parts. 

With Sigmund, this is especially true: each of the delay lines has complementary modules built in, independent from the feedback loop: 
• Multi-mode Filter (can work either in or outside of the feedback loop)
• Overdrive module
• Amplitude modulator (for tremolo effects)

But that's not all: Sigmund has two general-purpose LFOs which can be used to auto-modulate some of the delay lines' internal parameters. Used subtly, these LFOs can be used to delicately bring a sound to life, to add gently flowing, modulated warmth reminiscent of the analog delays of yesteryear. At extreme settings, these LFOs are capable of twisting the input signal utterly beyond recognition and into what you might expect transmissions from an alien civilization to sound like! 

This all adds up to an immensely powerful architecture, the potential of which can be explored nearly endlessly and often with hardly predictable outcomes. 

Flexible routing
Sigmund's four delay lines can be interconnected with each other in practically every manner possible. The plugin offers a choice of nine different routing topologies which give access to completely new dimensions of sound creation. For example, say you have your delays currently running in parallel but would like to have a cascade of serially connected delays instead: you can reconfigure them instantly by choosing your desired algorithm with just a click of the mouse. For even greater convenience when working with Sigmund, the output signals of each of the four delay lines are combined in a special, purpose-built internal mixer to ensure seamless transition between algorithms and greatly speed workflows. 

Oustanding quality
The signal processing solutions we chose to implement in Sigmund have allowed us to achieve an unprecedented level of audio quality! A signal being routed sequentially through each processing block suffers no loss in fidelity from one to the next and no undesirable artifacts are introduced as is so often the case with some of the more widely used but inferior solutions. With Sigmund, each delay line is absolutely alias free: the only sonic colorations you'll ever hear are the ones you've intentionally created. 

The signal path design process that went into Sigmund has been zero-comprimise from beginning to end: in fact, the sound quality is so high, the processing so pure that it's possible to work with even the smallest delay times, even down to one-tenth of one millisecond with zero artifacts emerging. Thus, it's possible without any tricks or half-measures to use a single delay line not only as a traditional delay effect, but also as a chorus or flanger and in some of the highest audio quality theoretically possible! 

Intuitive design
Sigmund's user interface has been designed from the ground up to be as intuitive as possible. Everything is presented as if on a silver (or brushed aluminum) platter, cleanly and clearly laid out and with instant access to each section and it's parameters. A convenient preset browser allows for quick auditioning of the extensive, included factory preset library. This, in combination with a novel system of 'padlocks' for locking individual sets of parameters when changing presets, allows you to zero in on the desired effect with extreme efficiency. In skilled hands, these features become powerful weapons. 
Multitude of purposes
Sigmund can be effortlessly applied in nearly any configuration in the studio. It can be used as an insert effect for an instrument or bus channel, or as a versatile send effect with the help of a parameter lock that allows for auditioning presets without having to readjust the wet/dry mix with each new selection. The plugin can be used universally not only as a delay, but also as a: 
• Tremolo
• Filter
• Limiter
• Distortion

Each of these possibilities above is a result of the direct usage of the various modules that we have at our disposal in the processing path. But also indirectly, depending on parameter values, there are other possibilities, including: 
• Chorus – from small delay time values
• Flanger – from small delays with feedback added
• Spatializer – by applying delays on delay lines with different signal domains (M/S or L/R) and phase shifts between the channels

Despite all of the facts presented in this brief description, you get much, much more, because these are only examples of Sigmund's most basic operation. With the benefit of an incredibly flexible signal routing system, these simple strategies can be freely shuffled and combined for practically unlimited sound shaping depth. Things can go from basic to very advanced indeed before you know it, and more easily than you perhaps considered possible. And, all this in the highest available audio quality! This is only the start of wonderful sonic journey you’re about to embark on...


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