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Truefire Guitar Lab vi IV Moves TUTORiA

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Truefire Guitar Lab vi IV Moves TUTORiAL screenshotP2P | 09 October 2018 | 1.79 GB

This course will examine one of the most common harmonic moves in pop and rock music: the vi IV chord progression. The entire course will focus on the theoretical key of D which yields a Bm to G chord vamp.

You will learn how to think vertically by utilizing arpeggios as a framework to articulate each chord change which will serve you in both your rhythm and lead guitar situations. The course information will then build on top of these arpeggios by presenting the modes for each chord.

You will be given guidelines for chord voicings and single note lines and will learn how to visualize information through various layouts on the fingerboard. You will also receive jam tracks with both a B pedal tone in the bass and a Bm to G bass line. These will be presented in a number of different rhythmic feels and tempos both with and without rhythm guitar.

75 Total Video Lessons:

-vi IV Moves Introduction
-vi IV Progression Theory
-Pedal Tone Bass pt. 1 Two Note Voicings
-Pedal Tone Bass pt. 2 Three Note Voicings
-Pedal Tone Bass pt. 3 Four Note Voicings
-Pedal Tone Bass pt. 4 Five Note Voicings
-Arpeggios Am and E Forms
-Note Change In Top Voice Three Notes Per String Arpeggios Pt. 1
-Note Change In Top Voice One Note Per String Arpeggios Pt. 1
-Note Change In Top Voice One Note Per String Arpeggios Pt. 2
-Note Change In Top Voice One Note Per String Arpeggios Pt. 3
-Note Change In Top Voice One Note Per String Arpeggios Pt. 4
-Note Change In Top Voice Three Notes Per String Arpeggios Pt. 2
-Note Change In Top Voice Three Notes Per String Arpeggios Pt. 3
-Note Change In Top Voice Three Notes Per String Arpeggios Pt. 4
-Note Change In Top Voice Three Notes Per String Arpeggios Pt. 5
-Note Change In Top Voice Three Notes Per String Arpeggios Pt. 6
-Note Change In Top Voice Three Notes Per String Arpeggios Pt. 7
-Note Change In Top Voice Three Notes Per String Arpeggios Pt. 8
-Note Change In Top Voice Two One Layout Pt. 1
-Note Change In Top Voice Two One Layout Pt. 2
-Note Change In Top Voice Two One Layout Pt. 3
-Note Change In Top Voice Two One Layout Pt. 4
-Note Change In Top Voice Two One Layout Pt. 5
-Note Change In Top Voice Two One Layout Pt. 6
-Note Change In Top Voice Two One Layout Pt. 7
-Note Change In Top Voice Two One Layout Pt. 8
-Rhythm Guitar Chord Voicings Pt. 1
-Rhythm Guitar Chord Voicings Pt. 2
-Rhythm Guitar Chord Voicings Pt. 3
-Rhythm Guitar Chord Voicings Pt. 4
-Rhythm Guitar Chord Voicings Pt. 5
-Rhythm Guitar Chord Voicings Pt. 6
-Rhythm Guitar Chord Voicings Pt. 7
-Rhythm Guitar Chord Voicings Pt. 8
-Rhythm Guitar Chord Voicings Pt. 9
-Rhythm Guitar Chord Voicings Pt. 10
-Rhythm Guitar Chord Voicings Pt. 11
-Rhythm Guitar Chord Voicings Pt. 12
-Note Change In Bottom Voice Three Notes Per String Arpeggios Pt. 9
-Note Change In Bottom Voice One Two Layout Pt. 1
-Note Change In Bottom Voice Two One Layout Pt. 9
-Note Change In Bottom Voice Three Notes Per String Arpeggios Pt. 10
-Note Change In Bottom Voice One Two Layout Pt. 2
-Note Change In Bottom Voice Two One Layout Pt. 10
-Note Change In Bottom Voice Three Notes Per String Arpeggios Pt. 11
-Note Change In Bottom Voice One Two Layout Pt. 3
-Note Change In Bottom Voice Two One Layout Pt. 11
-Note Change In Bottom Voice Three Notes Per String Arpeggios Pt. 12
-Note Change In Bottom Voice One Two Layout Pt. 4
-Note Change In Bottom Voice Two One Layout Pt. 12
-Note Change In Bottom Voice Three Notes Per String Arpeggios Pt. 13
-Note Change In Bottom Voice One Two Layout Pt. 5
-Note Change In Bottom Voice Two One Layout Pt. 13
-Note Change In Bottom Voice Three Notes Per String Arpeggios Pt. 14
-Bm add9 G add#4 Arpeggios Note Change In Bottom of Arp
-Bm add9 G add#4 Arpeggios Note Change In Top of Arp
-Bm add9 G add#4 Arpeggios Three One Layout
-Bm Gmaj7 Chord Voicings Pt. 13
-Bm Gmaj7 Chord Voicings Pt. 14
-Bm Gmaj7 Chord Voicings Pt. 15
-Bm Gmaj7 Chord Voicings Pt. 16
-Bm7 Gmaj9 Chord Voicings Pt. 17
-Bm7 Gmaj9 (no3) Chord Voicings Pt. 18
-Bm7 Gmaj9 Chord Voicings Pt. 19
-Bm7 Gmaj9 Chord Voicings Pt. 20
-Bm7 Gmaj9 Chord Voicings Pt. 21
-Bm7 Gmaj9 Chord Voicings Pt. 22
-Bm7 Gmaj9 Chord Voicings Pt. 23
-Bm7 Gmaj9 Chord Voicings Pt. 24
-Soloing Concepts Pentatonic Scales
-Soloing Concepts Add 9 Arpeggios
-vi IV7 Moves Theory
-vi V IV Moves Theory
-vi V IV III7 Moves Theory

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